Tuesday 11 February 2014
Manhattan is my studio, Photographing Sophia Ayaan
As I love any chance to hang out in cool cafes meeting creative people and it helps break the ice, I met up with actress, presenter, comedienne and dancer Sophia Ayaan to discuss the shoot, before the shoot.
I turned up early for the photo-shoot and managed to scout out a couple of other locations before Sophia turned up. I found the dark moody subway, a cracked yellow tile background and a arching entrance as well as the already planned neo-Gothic architecture.
In the end the improvised locations worked out better than the planed one. Not knowing exactly what you are going to get from a shoot is half the fun for me.
Friday 31 January 2014
Alt, Control, Return, Apple buttoned up
A few years later when I lost a button from my beloved sheepskin winter coat I fashioned buttons from some of the old keys. Just take a self shank (http://en.wikipedia.org/wiki/Button) button and glue it to the back of the key.
Thursday 16 January 2014
Old leather jacket becomes new leather seat
Wednesday 16 October 2013
Foody Portraits, capturing restaurant atmosphere
Here are Melibea's Manager David, and Executive chef Alex Ureña
Photographing for Zagat in New York I have just been requested to photograph food and an empty restaurant, but Melba the curated dining experience people wanted me to capture some of the atmosphere and the personalities behind the food. It took me back to my Travel photography days covering gastronomy, lifestyle and landscape. Here is Melibea's Mixologist with some of his creations
I loved the opportunity to capture some of the behind the scenes action, and of course enjoy some of the fully flavoured meditteranian fusion food at the west village restaurant Melibea.
The staff's sense of fun and attention to detail was impressive
www.melba.co/ www.melibeanyc.com/ www.jonmartindesigns.com
Tuesday 16 July 2013
A mile in my shoes, abandoned shoes on the streets of Manhattan
On this day I happened to walk over 10800 steps (after I got my new pedometer from Jacks world) photographing Manhattan restaurants and food for Zagat in my own shoes.
As I tread my path between restaurants I keep my creative eyes open looking for something worthy of storage space in my minds cloud.
I did not shoot the old guy engaged in an intense phone conversation whilst ignoring the guy shining his shoes, but I did photograph a pair of abandoned shoes and an abstract painting made by remains of the walls of a demolished building clinging on to the side of its still standing neighbor and mixed the two together to create “a mile in my shoes”.
http://www.saatchionline.com/art/Digital-Photomanipulation-A-mile-in-my-shoes/1185/1639819/view
Monday 13 May 2013
Curries to Kitch, Jon Martin's food photography in Manhattan
I'm running around Manhattan photographing restaurants for Zagat, everything from curries to kitsch comfort food, and Italian to Ethiopian. It is a good opportunity to keep my food photography skills finely honed and to find some restaurants that I would otherwise miss out on. I'm shooting with available light and leaving the food au naturel, without all the cheats of top end food stylists.
This Octopus and squid is the prettiest dish that I have photographed so far, but I didn't have time to eat it as I had to run to the next restaurant.
Tuesday 16 April 2013
Rooftop photoshoot
I like to plan my shoots in advance, meet with the portrait subject or model, discuss what they are looking to get from a shoot, what images and photographers they like, and what inspires them. This give me a great chance to hang out in my favorite New York cafes and to understand my subject, building an imagined world for them to inhabit.
Recently I got a chance to photograph some of the models from Hoboken based www.Drakebook.com for a modeling boot camp. This opportunity came out of the blue and I had 4 hours to photograph 12 subjects when usually I take an hour or two to photograph one.
I sat in on one of the talks by a international model video guy who was telling the young models some of the industries harsh truths and insights, I'm, guessing that a lot of it did not sink into the young models, but in time they will come to understand.
I did enjoy improvising whilst exploring a new environment seeing some new fresh faces and doing my first rooftop shoot and and I am happy with some of my results and learned some good lessons for the next time.
There was a boy and girl team shooting on film who “borrowed” my tripod during the shoot thinking it was the agencies. I would like to see their results.